Please, for God’s sake, Leave Her Spirit Alone

On M.S. Subbulakshmi’s 110th birth anniversary, a pan-India biopic—M.S – A Legacy On Screen—was launched at the Music Academy with starry fanfare: Rashmika Mandanna in the lead, Gowtam Tinnanuri directing, Anirudh Ravichander composing, and Kamal Haasan giving the first clap.

This op-ed asks a harder question: when does tribute become exploitation?

Arguing that M.S. was a private, spiritually oriented artist who disliked the spotlight offstage, it contends that the endless cycle of articles, statues, awards, and now a high-profile biopic risks turning her into a brand.

The piece calls for homage that honours the art—paataantharam, discipline, humility—rather than PR-heavy pageantry.

If we must celebrate, let it be through performance, archival rigour, and restraint in iconography.

Celebrate Sadasivam if you must; leave Subbulakshmi alone.

How Carnatic Music Keeps Cinema Music Alive

by M.K.Sudarshan August 10, 2026: Chennai, India In a sentence:This piece offers a counterpoint to the argument that “cinema kept Carnatic music alive” by showing how Carnatic music—through its raga grammar, tala sophistication, and kriti structure (Pallavi–Anupallavi–Charanam)—has kept Indian film music musically alive, emotionally rich, and culturally grounded. In three points:Film melodies and background scoresContinue reading “How Carnatic Music Keeps Cinema Music Alive”