Please, for God’s sake, Leave Her Spirit Alone

On M.S. Subbulakshmi’s 110th birth anniversary, a pan-India biopic—M.S – A Legacy On Screen—was launched at the Music Academy with starry fanfare: Rashmika Mandanna in the lead, Gowtam Tinnanuri directing, Anirudh Ravichander composing, and Kamal Haasan giving the first clap.

This op-ed asks a harder question: when does tribute become exploitation?

Arguing that M.S. was a private, spiritually oriented artist who disliked the spotlight offstage, it contends that the endless cycle of articles, statues, awards, and now a high-profile biopic risks turning her into a brand.

The piece calls for homage that honours the art—paataantharam, discipline, humility—rather than PR-heavy pageantry.

If we must celebrate, let it be through performance, archival rigour, and restraint in iconography.

Celebrate Sadasivam if you must; leave Subbulakshmi alone.

Kannada’s parentage: Kamal Haasan won’t apologise for his comment because he’s so intellectually lazy

On a day when Kamal Haasan was nominated by his party, Makkal Needhi Maiam (MNM) to the Rajya Sabha, after the DMK in Tamil Nadu charitably allotted one seat in the Upper House to MNM in return for its support in the 2024 Lok Sabha polls, the ageing actor made a thoughtless comment about theContinue reading “Kannada’s parentage: Kamal Haasan won’t apologise for his comment because he’s so intellectually lazy”