Why “Bahubali” and “Dhurandhar,” but No Mudrārākṣasa (मुद्राराक्षसम्)? Is Chanakya Less Cinematic Than the CIA?

Mudrārākṣasa (मुद्राराक्षसम्): The Classical Indian Drama of Intrigue, Intelligence, and Statecraft A Sanskrit political thriller Viśākhadatta’s Mudrārākṣasa is one of the most arresting works in the Sanskrit dramatic tradition. Unlike many classical plays that dwell on love, courtly sentiment, or aesthetic refinement, this drama is driven by politics, strategy, deception, and the struggle to consolidateContinue reading “Why “Bahubali” and “Dhurandhar,” but No Mudrārākṣasa (मुद्राराक्षसम्)? Is Chanakya Less Cinematic Than the CIA?”

The CIA: An Empire of the Literary Imagination

Hugh Wilford’s The CIA: An Imperial History shows that the Agency’s most dangerous weapon was never a gadget but a story: an imperial literary imagination — Kipling, Lawrence, Greene, Hollywood — that taught America how to see, intervene in, and narrate the world. I’ve just finished reading the book and I now understand the CIAContinue reading “The CIA: An Empire of the Literary Imagination”